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Palais de Tokyo: Contemporary Counterculture


January 21st, 2002: the highly-anticipated inauguration of new exhibit space at the Palais de Tokyo, sure to appease baby-boomers disenchanted with the increasingly bourgeois and conformist society. But the project doesn’t exactly adhere to the “sans toit ni loi” (“no roof, no law”) leitmotif of the 1960s cultural revolution, what with ample funding from the usual sources (Hennessy, Pioneer, Bloomberg, etc.) and subsidies from the Minister of Culture. Ladies and gentlemen, we now present the official underground art scene of Paris.

The official inauguration by Lionel Jospin and Catherine Tasca of this 4,500-square meter space was attended by hundreds of journalists, gallery directors, contemporary art specialists, and other tuned-in aficionados who wouldn’t miss it for the world. The first impression was one of chaos: did a bomb explode in the venerable Palais de Tokyo? 

This vast chrysalis by Gunilla Klingberg (Sweden), composed of Ikea lamps, seems to announce the great metamorphosis of Parisian contemporary art.

The floors and walls had been stripped, exposing bricks, plaster, and pipes! And there, under the bare glass ceilings, scores of contemporary works formed a testament to today’s creative possibilities (according to curator Marc Sanchez) in this space’s first temporary exhibit.

An immense wastebasket by Wang Du, filled with old newspapers and three televisions displaying images from Europenews, stands alongside an incredible bazaar of objects in multicolored plastic by Surzi Kuzolwong, reminding us that consumer society governs our lives. This first contrast reveals the intentions of the two directors, Nicolar Bourriaud and Jérôme Sans, who hope to demonstrate the fierce confrontation between various visions of our common planet.
The giant news wastebasket by Chinese artist Wang Du confronts an enormous comic strip by Michel Mageur, from Berlin.

Why is this portrait of what looks like Saddam Hussein, created on site by the painter Sislej Xhafa, hanging across from a black block fountain oozing anti-anxiety fluids? A question that seems to fascinate the many modern and contemporary artists depicted by Navin Rawanchaikul in a huge version of the famous Noces de Cana by Véronèse.

And does art really belong to the entire world, as the immense blank panels by Jun’ya Yamaide seems to suggest? The artist has placed hundreds of crayons at the disposition of every visitors: each person adds some words or a doodle, rediscovering the childhood pleasure of coloring. 

At night, the Palais de Tokyo has another life, transforming into a huge dance floor.

The confused looks, lukewarm remarks (“Simple! Cheap! Already done!” the most blasé members of the art community exclaimed), and forced laughs provoked by disturbing photographs show that above all, the Palais is leaving nobody indifferent.

Of course, it’s too early to judge this new Parisian phenomenon, reminiscent of Kunstwerke in Berlin or the new Tate Gallery in London. It is among one several locales that are working to make Paris the crossroads of the international art world.

USEFUL INFORMATION

Palais de Tokyo
13, avenue du Président Wilson. 
Paris 16e.
 
Tel. 01 47 23 38 86

Open from Tuesday to Sunday from noon to midnight. 

Admission : 5€ (3€). Free under 18 and every first Sunday of the month.

 

WEBSITE

palaisdetokyo.com

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